B-Sides

Sydney-based writer Tasnim Hossain records her written take on the meandering histories of Enlightenment discussed by Joya Chatterji and Stephen Fry, and the experimental sounds of the first known recordings of the human voice. Music is composed from sounds found in the archives of firstsounds.org, and recordings taken from a museum of mechanical music (fairgroundfollies.com).

We hear the recorded sound of the invisible electromagnetic landscape that humans created unintentionally, allowing us to tune in to what our environment has to endure. Against a backdrop, we hear the voices of anonymous FODI listeners, recording their hopes and fears for the future of humanity, and a poem by Sylvie Barber and Simon Longstaff. Anthropocene is a response to Sam Mostyn and Peter Singer’s discussion.

During Sydney’s most recent lockdown, sound artist Alexandra Spence submerged a 15 minute-long piece of cassette tape in seawater. The cassette tape contained a field recording of waves, and a recording of Alex’s voice offering a non-definitive, and non-hierarchical list of things found in the Pacific Ocean. The resulting physical deterioration of the magnetic tape and degradation of the audio recording can be heard in this composition. ‘Within Salt’ is a short piece that responds to Lee Vinsel’s take on entropy and the breaking down of technology, along with Tyson Yunkaporta’s words on the importance of story and of preserving nature over data.

Recording art for a post-human world, a machine attempts to describe a human dance. The piece responds to Eleanor Gordon-Smith and Slavoj Žižek’s discussion, the power of words to create reality, and the experience of emotion between the digital or artificial and what we take as ‘real’.

A text-generating AI that has been trained with FODI transcripts speaks in conversation with a deepfake AI about violence, conspiracy theories and what it means to be human. Our FODI-trained AI was created using Max Woolf’s simplified version of OpenAI’s Generative Pre-trained Transformer 2 (GPT-2) and Google Colab; Max has created a tutorial so that anyone can train an AI model for free. Semi-Autonomous is a response to Joanna Bourke and Toby Walsh’s discussion.

Tongues is an explicit, potent musical manifesto, exploring having your voice taken away, in response to Roxane Gay and Kate Manne’s discussion. Tongues is written and performed by Tanya Tagaq, a Canadian Inuk improvisational singer, avant-garde composer, bestselling author, and Saul Williams, Sumach Valentine, Jesse Zubot; published by Songs of Six Shooter B (SOCAN), Martyr Loser King (ASCAP), Warp Music Limited (PRS/ASCAP), Jesse Zubot (SOCAN). Courtesy of Six Shooter Records Inc.

CellF is a cybernetic musician and the world’s first neural synthesiser, created by Perth-based artist and researcher, Guy Ben-Ary. Its ‘brain’ is made of biological neural networks bio-engineered from the artist’s own cells, that grow in a petri dish and control in real time its ‘body’ – an array of synthesizers that play music live with human musicians. Revivification is a short piece that responds to S.Matthew Liao and John Rasko’s discussion.

Alvin Lucier, the composer involved in this project, sadly passed away in December 2021 while making this podcast. Our thoughts are with his loved ones.

A playerless piano performs a repeating piece of music in which every note of a scale is played on every beat of the bar. The melody is absorbed into chaos, as the words of Noami Klein and Waleed Aly speak of our interconnectedness and entanglements.